Speed dating herbert film

Even if you leave the gore aside, the film raked in million from a budget of ,500. With its air of eerie verisimilitude, Tobe Hooper's chilling horror stands light years apart from the other film based on the gory exploits of the real-life serial killer, Ed Gein.

Shot for around 0,000, with money allegedly re-routed from the success of runaway porn hit, Deep Throat, it's Chainsaw's dead-eyed, almost cinema verite approach that truly unnerves.

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Acknowledging a massive thirst for automotive action and raking in more than $100 million, it spawned one superior sequel (still one of the greatest 'real' action films), which in turn led to dozens of cheap 'post apocalyptic warzone' straight-to-video jobs.21 Grams may have grabbed the Oscar headlines, but Alejandro González Iñárritu perfected his techniques in overlapping storylines, stunning cinematography and the creative use of car crashes in this Mexican smash about three separate lives linked together by one common event.

Remarkable for its stellar performances from a cast previously unknown outside their home country, for taking the fractured narrative to a whole new level, and for tackling subjects that studios avoid like the plague - dog fighting, anyone?

Robert Rodriguez may be a household name, but back in 1992 he was an impoverished would-be filmmaker who raised $3,000 of the film's $7,000 shooting budget as a volunteer for experimental drug testing.

Shot on the streets of Coahuila, Mexico without storyboards (Rodriguez had no crew to show them to), equipment (sound was record with a tape recorder while most of the 'guns' were water pistols) and quite often actors (many of the smaller roles were simply passers by), El Mariachi is guerilla filmmaking at its most inventive.

But Mel Gibson's vision did pay off and despite the bluster of indignant religious leaders and the righteous smiting of the Lord (two crew members, including star Jim Caviezel, were struck by lightning during the shoot) the film succeeded: spreading the gospel and raking in an ungodly amount of cash for good measure.

John Cusack's turn as repentant hit man Martin Blank marks the single greatest '80s throwback, killer-for-hire rom-com ever made.Howling onto the scene with surprise werewolf hit, Dog Soldiers, Neil Marshall surpassed himself with this claustrophobic follow-up that sees six female potholers trapped in the dark, far underground.Set in the US (where these things more routinely seem to happen) but shot at Pinewood and on location in Scotland, The Descent is by far and away the best Brit horror in years.Empire Magazine, a decidedly pro-British film magazine, offered their picks for the bravest, most innovative, and most creative films - the "ultimate indie lineup" of 50 of the best non-studio works ever made.Descriptions of choices for the 50 Greatest Independent Films are excerpted from the Empire Magazine website.It almost defies belief that an R-rated, independent film, shot entirely in two dead languages went on to make 0 million at the box office.

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