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[Limit 25] Holly will edit and critique these pages and display them to the class as a way of revealing strengths and weaknesses in the material.Additionally, she will lead the students in writing exercises and offer advice on such topics as creating strong titles and opening paragraphs, learning to self-edit, mastering proofreading, finding the right markets for manuscripts and knowing when and how to go into writing full-time.THOMPSON PROJECT by Joe Iconis LIFE IS A PARTY by Nell Benjamin & Laurence O’Keefe BREAD & ROSES by Jill Abromovitz & Brad Alexander MISS PETTIGREW LIVES FOR A DAY by Lisa Lambert & Greg Morrison UNTITLED PROJECT by Sam Willmott UNTITLED PROJECT by Chad Begeulin & Matthew Sklar JAWBREAKER by Jordan Mann & Jeff Thomson HARMONY, KANSAS by Bill Nelson and Anna K. Penedo PAINTED ALICE by Bill Donnelley and Michael Mahler FIRST DATE by Michael Weiner and Alan Zachary NEXT THING YOU KNOW by Ryan Cunningham & Joshua Salzman FEBRUARY HOUSE by Seth Bockley & Gabriel Kahane BLOOD MAGIC by Aaron Jafferis & Ian Williams SAINT-EX by Sean Barry & Jenny Giering LOVE KILLS by Kyle Jarrow SNOW by Sean Hartley POST OFFICE by Michael Friedman & Melissa James Gibson by Shaina Taub FALLING by Hyeyoung Kim & Dina Gregory FORWARD by Jonathan Reid Gealt MORGAN STREET by Jeremy Alan Richards, Anika Noni Rose, Eugene Gwozdz REDHAND GUITAR by Evan & Mike Yionoulis RUNNING BACK by Marcus Gardley & Michael Watofsky THE SIXTH BOROUGH by Will Reynolds and Eric Price TAMAR & THE RIVER by Marisa Michelson and Joshua H.

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There will be lots of writing exercises, so come prepared to write like a hyperactive ferret. The children’s book industry is more competitive than ever, and working in it can be surprisingly rewarding.

We’ll explore picture books for young children and illustrated novels for older children, their differences and what works for both: structure, story, character, rules to follow and rules to break, the writing life, and the industry.

The purpose of the Festival is to create a nurturing environment for discovery, development and advancement of the musical theatre art form.

NAMT seeks to do this with a focus on quality, diversity and new voices.

[Limit 15.] — Nina Sadowsky This class will provide an in-depth overview of writing for film and television.

A mixture of lecture, in-class exercises and screenings will give the participants an understanding of how material is pitched, developed and produced in Hollywood as well as tips for successful screenwriting.

Based on the transformative approach Lourey developed and field-tested in the wake of her husband’s suicide, this workshop combines research, writing guidance, and interactive exercises.

Tender, raw, funny, and instructional, Rewrite Your Life offers both a map and a model for those seeking to transform themselves through the simple, profound act of novel writing. If you can, also bring with a maximum 5-page scene from a work in progress for an editing exercise.

By Michael Mahler and Alan Schmuckler LUCKY LINDY by Barry Harman and Keith Herrmann SAINT HEAVEN by Martin Casella, Keith Gordon and Steve Lyons SECONDHAND LIONS by Rupert Holmes, Alan Zachary and Michael Weiner FALLING FOR EVE by David Howard and Bret Simmons ETHAN FROME by Michael Ruby and Adam Gwon FARAWAY BAYOU by Michael Milton, Margaret Dorn and Janie Barnett IT SHOULDA BEEN YOU by Brian Hargrove, Barbara Anselmi, Jill Abromovitz, Carla Rose Arnone, Ernie Lijoi and Will Randall JOYCE JACKSON’S GUIDE TO DATING by Scott Logsdon and Steve Marzullo LONG SEASON by Chay Yew and Fabian Obispo PLASTIC!

By Robert Maddock, Joe Iconis and Reza Jacobs ROCKWELL: LIFE ON A PALETTE by Eleanor Albano, Anthony Barnao and Ron Abel THE STORY OF MY LIFE by Neil Bertram and Brian Hill WRITING ARTHUR by David A.

Award-winning thriller author John Gilstrap presents a day-long seminar on the construction of intelligent commercial fiction. How do you take cardboard characters and give them life on the page?

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