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Common roots encouraged a country's inhabitants to share the concept of a modern nation.
The approach spread to smaller, oppressed countries whose politicians and intellectuals worked towards developing the population's awareness of a common ethnicity.
Furthermore, traditions changed with time while new trends were born.
By documenting folk culture, these intellectuals believed they had safeguarded an asset which had been passed on by oral tradition since the Middle Ages or even earlier.
Today it is recognized that only a fraction of the sources can be traced back further than the Renaissance.
In the 17th and 18th centuries, music in Denmark could only be performed in most areas by officially appointed town musicians (stadsmusikanter) who played together with their apprentices at family gatherings, local festivities and even in churches.
There were however a few exceptions including Bornholm, Amager and Fanø which maintained their own traditions.
As the town musicians disliked traditional instruments such as drums, bagpipes and hurdy-gurdies, the fiddle was increasingly used for dance music.
By the second half of the 17th century, pair dances from Poland were introduced, especially the pols, a variant of the polska, soon to be followed by the minuet.
This applied to Denmark after the Napoleonic Wars and the loss of Norway in 1814 and above all after the loss of Schleswig to Germany in 1864.
A new awareness of common origins was born, encouraging researchers to investigate the everyday lives of countryfolk, at a time when folktales, poetry, songs and beliefs were beginning to disappear.
Danish folklore consists of folk tales, legends, songs, music, dancing, popular beliefs and traditions communicated by the inhabitants of towns and villages across the country, often passed on from generation to generation by word of mouth.Tags: Adult Dating, affair dating, sex dating